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{{summary | text=christian music}}'''Contemporary Christian Music ''' (or '''CCM''') is a term originally used in the 1970s to describe a new form genre of pop and rock [[popular music that was ]] which is lyrically based in focused on matters concerned with the [[Christianity|Christian faith]]. The term is typically used to refer to the [[Nashville, Tennessee]]-based [[pop music had its roots in |pop]], [[Jesus MusicRock music|rock]] which sprung from the hippie , and [[Jesus Movementworship music|worship]] of the early 70s. An entire Christian music industry soon sprang up, with Christian-only currently represented by artistssuch as [[Steven Curtis Chapman]], record labels[[Skillet (band)|Skillet]], [[Christian radioPillar (band)|radio stationsPillar]], [[Amy Grant]], [[Jars of Clay]], [[MercyMe]], [[Third Day]], [[Relient K]], [[Jeremy Camp]], [[Hillsong United]], [[Shawn McDonald]], and record storesa host of others. By the 1980s, CCM was a large music The industry with artists such as is represented in [[Amy GrantBillboard Magazine]] 's "Top Christian Albums" and "Hot Christian Songs" charts,<ref name="BB_Main">{{cite web |url=http://www.billboard.com/bbcom/charts/christian_gospel_index.jsp |title=Best Selling Christian Singles and Albums |accessdate=2007-02-28 |publisher=''[[Michael W. SmithBillboard Magazine]] selling millions of records.'' }}</ref> as well as the [[iTunes Music Store]]'s "Christian & Gospel" genre.

The term "Contemporary Christian Music" originated in the late [[1960s]] in reference to the emerging [[pop music|pop]] and [[rock music|rock]] "[[Jesus music]]", the musical outpouring of the [[hippie]] [[Jesus Movement]] of the time.<ref name="Powell_Fe">{{overviewcite book |last=Powell |first=Mark Allan |title=Encyclopedia of Contemporary Christian Music |year=2002 |publisher=Hendrickson Publishers |location=[[Peabody, Massachusetts|Peabody]], [[Massachusetts]] |isbn=1-56563-679-1 |edition=First printing |pages=10-13}}</ref> Artists such as [[Larry Norman]], [[2nd Chapter of Acts]], and [[Love Song (band)|Love Song]] were among the first to express their [[Christianity|Christian]] faith in the form of popular music.

{{topics}}* There is also a great deal of [[Contemporary Christian Songs Indexpopular music]] | which lyrically identifies with [[Contemporary Christian Albums IndexChristianity]] | [[but is not normally considered Contemporary Christian Song-Writers and Bands Index]]* [[Jesus Music]] | .<ref name="Powell_Fe"/> For example, many underground [[Christian alternative rockpunk|punk]] | and [[Christian hardcore]] | [[Christian hip hophardcore]] | bands deal explicitly with issues of faith but are not a part of the Nashville industry (e.g., [[Christian industrialSeattle]] | -based [[Christian metalTooth and Nail Records]] | [[). Also, several mainstream music artists sometimes deal with Christian pop]] | themes in their work, such as [[Christian punkBob Dylan]] | [[Christian rock]] | [[Christian ska]] | [[Cprog]] | and [[Christian worship musicU2]], but fall outside of the CCM genre.<ref name="Powell_Fe"/>

Some conservative Christians feel that the medium of popular music is unholy, and thus unfit for Christian participation. For example, [[Bob Jones University]] prohibits its dormitory students from listening to CCM.<ref name="BJU_Hall">{{quotescite web |url=http://www.bju.edu/prospective/expect/rhall.html |title=BJU ~ Residence Hall Life |accessdate=2007-02-28 |publisher=[[Bob Jones University]] }}</ref> Other noted Christian critics of CCM include [[John F. MacArthur|John MacArthur]], Dan Lucarini (the author of the book ''Why I Left the Contemporary Christian Music Movement''), and Kimberly Smith (author of the books ''Oh Be Careful Little Ears'' and ''Let Those Who Have Ears to Hear'').

CCM also draws criticism from those who feel it is simply a "Christianized" imitation of mainstream music, thus lacking originality and creativity. On [[Reformation Day]] ([[October 31]]), [[1998]], in homage to [[Martin Luther]]'s [[95 theses]], CCM artist [[Steve Camp]] sent out 107 theses calling for a "Reformation" in contemporary Christian music,<ref name="Camp_107">{{returntocite web |url=http://www.worship.com/steve_camp_107_theses.htm |title=A Call For Reformation in the Contemporary Christian Music Industry |accessdate=2007-02-28 |last=Camp |first=Steven John |authorlink=Steve Camp |year=1997 |publisher=[http://www.worship.com Worship.com]}} </ref> challenging Christian artists to "recover Biblical Christianity in the arts"<ref name="Camp_107"/> and bring a new level of excellence to the field. Also, oftentimes CCM draws criticism from those who simply find the concept of Christian pop/rock music to be an unusual phenomenon, since rock music has historically been associated with themes such as sexual [[promiscuity]], [[rebellion]], [[drug]] and [[alcohol]] use, and other topics normally considered antithetical to the teachings of Christianity.<ref name="Powell_Fe"/> (For more on this topic, see: [[Social effects of rock and roll]].) Perhaps the most well-known (and humorous) defense to this criticism is a quote from a 19th century Methodist minister [[Rowland Hill]]: "Why should the devil have all the good music?" (Note: this quote is often incorrectly attributed to [[Martin Luther]]). ==Further reading==* Alfonso, Barry. ''The Billboard Guide to Contemporary Christian Music''. Billboard Books, 2002.* Beaujon, Andrew. ''Body Piercing Saved My Life: Inside the Phenomenon of Christian Rock''. Da Capo Press, 2006.* Di Sabatino, David. ''The Jesus People Movement: An Annotated Bibliography and General Resource''. Westport, Conn.: Greenwood, 1999.* Flux, Chris. ''Music Evangelism: Spreading the Gospel through Music''. Bloomington, IN: AuthorHouse, 2006. [http://www.musicevangelism.com http://www.musicevangelism.com]* Granger, Thom. ''[[CCM Presents: The 100 Greatest Albums in Christian Music]]''. Nashville: CCM Books, 2001.* Howard, Jay R and John M Streck. ''Apostles of Rock: The Splintered World of Contemporary Christian Music''. Lexington: The University of Kentucky Press, 1999.* Joseph, Mark. ''The Rock and Roll Rebellion: Why People of Faith Abandoned Rock Music-- And Why They're Coming Back''. Nashville: Broadman & Holman, 1999.* {{cite book |last=Mount |first=Daniel J. |title=A City on a Hilltop? The History of Contemporary Christian Music |year=2005 |url=http://www.danielmount.net/ccm.html |accessdate=2007-02-12}}* {{cite book |last=Powell |first=Mark Allan |title=Encyclopedia of Contemporary Christian Music |year=2002 |publisher=Hendrickson Publishers |location=[[Peabody, Massachusetts|Peabody]], [[Massachusetts]] |isbn=1-56563-679-1}}* Romanowski, William D. ''Eyes Wide Open: Looking for God in Popular Culture''. Brazos Press, 2001.* Pruitt, Jim. ''Contemporary Christian Musician's Survival Manual''. Lulu, 2003. http://www.cyshift.com/jarc/ccmsm.html* Young, Shawn David, M.A., Hippies, Jesus Freaks, and Music (Ann Arbor: Xanedu/Copley Original Works, 2005.ISBN 1-59399-201-7 ==Notes==<div class="references-small"><references/></div> ==See also==*[[GMA Music Awards]]*[[Korean Contemporary Christian music]]*[[List of Contemporary Christian music artists]] ==External links==* Steve Camp's [http://www.worship.com/steve_camp_107_theses.htm 107 Theses: A call for Reformation in Contemporary Christian Music Industry]* [http://www.christianitytoday.com/music Christian Music Today]* [http://www.christianmusicmonthly.com Christian Music Monthly]* [http://www.jesusfreakhideout.com/ Jesus Freak Hideout]* [http://www.cmcentral.com Christian Music Central]* [http://www.ccmcom.com Contemporary Christian Music (CCM) Magazine] [[Category:Contemporary Christian music]][[Category:Christian music genres]][[Category:Popular music]] [[de:Christliche Popmusik]][[pl:Contemporary Christian music]][[es:Música cristiana]][[pt:Música Cristã Contemporânea]][[zh:当代基督教音乐]]